Según la última encuesta de la revista "Sight and Sound" del Festival de Cine Británico (BFI)
1. VERTIGO (Hitchcock, 1958)
2. CITIZEN KANE (Welles, 1941)
3. TOKYO STORY (Ozu, 1953)
4. LA RÈGLE DU JEU (Renoir, 1939)
5. SUNRISE: A SONG FOR TWO HUMANS (Murnau, 1927)
6. 2001: A SPACE OFYSSEY (Kurbick, 1968)
7. THE SEARCHERS (Ford, 1956)
8. MAN WITH A MOVIE CAMERA (Dziga Vertov, 1929)
9. THE PASSION OF JOAN OF ARC (Dreyer, 1927)
10. 8 ½ (Fellini, 1963)
11. BATTLESHIP POTEMPKIN (Eisenstein, 1925)
12. L’ATLANTE (Vigo, 1934)
13. BREATHLESS (Godard, 1960)
14. APOCALYPSE NOW (Coppola, 1979)
15. LATE SPRING (Ozu, 1949)
16. AU HASARD BALTHAZAR (Bresson, 1966)
17. SEVEN SAMURAI (Kurosawa, 1954)
18. PERSONA (Bergman, 1966)
19. MIRROR (Tarkovsky, 1974)
20. SINGIN’ IN THE RAIN (Donen/Kelly, 1951)
21. L’AAVENTURA (Antonioni, 1960)
22. LE MÉPRIS (Godard, 1963)
23. THE GODFATHER (Coppola, 1972)
24. ORDET (Dreyer, 1955)
25. IN THE MOOD FOR LOVE (Kar-Wai, 2000)
26. RASHOMON (Kurosawa, 1950)
27. ANDREI RUBLEV (Tarkovsky, 1966)
28. MULHOLLAND DR. (Lynch, 2001)
29. STALKER (Tarkovsky, 1979)
30. SHOAH (Lanzmann, 1985)
31. THE GODFATHER PART II (1974)
32. TAXI DRIVER, (Scorsese, 1976)
33. BICYCLE THIEVES (De Sica, 1948)
34. THE GENERAL (Keaton/Bruckman, 1926)
35. METROPOLIS (Lang, 1927)
36. PSYCHO (Hitchcock, 1960)
37. JEANNE DIELMAN, 23 QUAI DU COMMERCE 1080 BRUXELLES (Akerman, 1975)
38. SÁTÁNTANGÓ (Tarr, 1994)
39. THE 400 BLOWS (Truffaut, 1959)
40. LA DOLCE VITA (Fellini, 1960)
41. JOURNEY TO ITALY (Rossellini, 1954)
42. PATHER PANCHALI (Satyajit Ray, 1955)
43. SOME LIKE IT HOT (Wilder, 1959)
44. GERTRUD (Dreyer, 1964)
45. PIERROT LE FOU (Godard, 1965)
46. PLAY TIME (Tati, 1967)
47. CLOSE-UP (Kiarostami, 1990)
48. THE BATTLE OF ALGIERS (Pontecorvo, 1966)
49. HISTOIRE(S) DU CINEMA (Godard, 1998)
50. CITY LIGHTS (Chaplin, 1931)
51. UGETSU MONOGATARI (Kenji, 1953)
52. LA JETÉE (Marker, 1962)
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